Richard Dabbs 1930 Model A Tudor – ‘Brown Sugar’

by • September 2, 2014 • Main, RidesComments (0)5604

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Oddly enough, the creator of this trick 1930 Model A tudor, Richard Dabbs, doesn’t think of himself as a hot rodder. “I’m just a guy stuck in the 60s,” he says, “who likes to build period-correct machinery.” Richard’s whole approach to his funky rod (aptly named Brown Sugar) was to build what would have been the latest whiz-bang machine if it had been pieced together in 1960. I guess that makes Richard a high-tech tuner who was born in the wrong decade!

The late 50s and early 60s were hugely prosperous times in the United States. Auto giants Chevrolet, Ford and Chrysler were turning out ever wilder machinery to entice people to buy new cars – which they did in droves. This resulted in huge volumes of old cars being essentially discarded, giving creative hot rodders and customisers vast quantities of natural resources on which to practice and express their creativity. This is why the 60s was such a boon time in the rodding and custom scenes, with many iconic machines built in this era.

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The idea of funky-coloured side windows was popularised by the famous Gene Mooneyham and Al Sharp 554 gasser that was built in the late 50s and raced through the 60s

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Honestly officer, the upholstered number plate is bone-fide, government issue. Honestly.

In keeping with its traditional personality, Brown Sugar is all genuine Detroit steel, with all body mods done in steel as well. Those mods include dropping the roof four inches, channelling the body five inches over the Greg Ford-built chassis, adding the drilled external sun visor and grafting in ’49 Ford taillights. Those taillight additions are straight from the customisers’ handbook. Richard fashioned the housings from flat sheet, before blending them onto the tudor’s rear quarters. “That’s the way rods were heading in the 60s,” says Richard. “The Alexander Brothers, Dean Jefferies and Gene Winfield were all big in the custom scene and a lot of their influence was flowing over into hot rodding.”

For Richard it was important to get the proportions right so that it didn’t look clumsy. There are very few elements of Brown Sugar that haven’t been carefully thought through. For example, there’s extensive detail throughout, which took considerable hours. However it’s all been executed in a way that makes it look 60s original rather than smoothed and refined. Heck, even the mismatched wheels are deliberate.

“Guys would have been able to afford one set and not the other,” says Richard. “It’s also a little bit of drag racing influence. Slicks bolted onto the back of street cars to go racing would have been mounted on different wheels.”

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Unmuffled Lakes Pipes are for show only. They’ll get changed at registration time

Powering Brown Sugar is a 348-cube, Chevy W-series engine – Chevrolet’s first big-block. “Around this era, rods were built with Olds, Caddy, flathead and lots of other V8s,” says Richard. “I wanted something different. In 1960, the W was only two years old and with its uniquely-scalloped rocker covers it was very cutting edge.” Crowning the W are six perfect-reproduction Stromberg 97s that cost around $600 each! These are bolted atop a genuine (and rare) 1960s Edelbrock manifold. Thanks to the Ronco Vertex magneto and iridescent-red, Moon Eyes plug leads (void of any radio-noise suppression), running any kind of audio system is out of the question. Some rodders go out of their way to give their classic machines modern dynamics. Not so Brown Sugar; with its transverse front spring and dropped Super Bell front axle, it drives like a traditional hot rod.

“I didn’t want to build a Boydster style of rod,” says Richard. “I like them too, but my tudor wouldn’t have looked right if I sacrificed form over function.”

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One area where Richard deviated from this theology was in the braking department. Inside what looks like highly-polished front brake drums is a modern disc brake set-up, which combines with a Falcon master cylinder and Mitsubishi L300 pedal box. Speaking of boxes, “I would have liked to have run a manual,” says Richard, “but my feet are so big there was nowhere for the pedals to go.” He compromised with a two-speed Powerglide, which is still period correct, as it’s one of GM’s very early automatic transmissions. One of the least planned aspects of the build was the interior. While Richard had some rough ideas, he basically told his trimmer, Glenn French, to go nuts. A rough sketch was made and things just kept getting wilder and wilder from there.

“It’s 60s nutso show car theme in there,” says Richard. “It’s got everything; over-the-top colour combination, diamond pleat, tuck ’n’ roll, the whole box ’n’ dice.” To make that gold and white interior pop just that little bit more, the window openings were filled with yellow-tinted Perspex. When it came to deciding on a dash, Richard knew exactly what he wanted. “Oldsmobile have some of the coolest dashes around,” says Richard. “This one is out of a ’56.”

Brown Sugar interior

It’s got everything; over the top colour combination, diamond pleat, tuck ‘n’ roll, the whole box ‘n’ dice

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Cartoon-esque shifter was hewn from billet by ToolTech. And while Richard feels it’s a bit over the top, it doesn’t look out of place in the overall context, as the whole car is somewhat cartoon-esque

In its raw form, the Olds dash is about 10 inches too wide, so Richard had to cut the ends off as well as ditch the original centre section. To re-join the two ends, he had a one-off, finned centre panel especially cast, which was then machined to accommodate the three accessory gauges. If you didn’t know better, you’d swear it was factory. To create the phenomenal hue, good mate and House of Kolor brand ambassador Mat Egan first laid on a base of custom-mixed HOK Galaxy Grey and HOK Black. Next up was the Shimrin2 Pale Gold Metajuls (course metal flake), followed by the sumptuous HOK Root Beer Kandy. To make it all shimmer, Carmine De Maria from C.A.D Customs flow-coated the whole lot in HOK USC01 Show Clear. To contrast with this, the chassis, undercarriage and driveline was painted off-white. While on the inside, Mat took some HOK Shimrin2 F16 Light Gold Flake and colour-matched it to the vinyl. As a tribute to the glory days of the 60s, Brown Sugar is a stunning success. It’s also a stunning piece of automotive machinery in its own right. No wonder it was one of the most talked about machines to make its debut at Meguiar’s MotorEx Melbourne 2014.

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Richard has some height about him and can actually see out over the chopped roof. It’s funky watching him drive Brown Sugar, with his noggin’ bobbin’ out the top.

 

SPECS – 1930 Model A Tudor


OWNER – Richard Dabbs


PAINT:
House of Kolor Root Beer Kandy over a HOK Galaxy Grey/Black base and Pale Gold Metajuls


BODY/CHASSIS:
Original Ford steel body, chopped four inches, channelled five inches, drilled sun visor, ’49 Ford taillights, all riding on custom rails


MAKIN’ IT MOVE:
Engine: 348ci Chevrolet W big-block
Intake: Edelbrock
Carbies: Six Stomberg 97s
Ignition: Vertex Ronco Magneto
Cooling: Aussie Desert Cooler
Exhaust: Owner-made Lakes Pipes
Fuel cell: Genuine Moon 10 gallon


UNDERNEATH:
Gearbox: Powerglide two-speed
Diff: 60s Ford Galaxy 9-inch


STOP & GO:
Springs/shocks Fr/Rr: So-Cal
Suspension front: Super Bell 4-inch drop
Suspension rear: Triangulated 4-bar
Brakes front: Wilwood discs inside faux drums
Brakes rear: Ford finned drums


THE COMFORT ZONE:
Trim: White and gold vinyl with heavy flake
Carpet: Vinyl
Wheel: Superior 500 Gold metal flake
Column: 1965 Mustang
Shifter: Custom extended
Gauges: Stewart Warner


ROLLING STOCK:
Rims: 15×5 chrome steelies (f) & 15×5.5
Ansen five-spoke (r)
Rubber: Coker & BF Goodrich
Build time: Too bloody long! Six and half years, on and off


THANK YOU:
Mat Egan – Extreme Designs
Carmine De Maria – C.A.D Customs
Ahron Jeffries – Rolling Art Coachworks
Glenn French – Rocket Custom Autotrim
Jason Bonnicci – ToolTech
Gary Mialitsis – Gazglide
Greg Ford

Click HERE to download the Brown Sugar desktop wallpaper.

story CRAIG PARKER   photos JOHN CHURCHILL

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